All About Glass
All About Glass
This is your resource for exploring various topics in glass: delve deeper with this collection of articles, multimedia, and virtual books all about glass. Content is frequently added to the area, so check back for new items. If you have a topic you'd like to see covered, send us your suggestion. If you have a specific question, Ask a Librarian at our Rakow Research Library.
November's 2300° event featured artist Jaime Guerrero who joined the Hot Glass Demo team in the Amphitheater Hot Shop for his demonstration titled Refugees and Pinatas. Larkin Poe, an edgy folk-rock band formed by Atlanta-based sisters Megan and Rebecca, brought their high energy and
This DVD focuses on glass artists from Japan who use the pate de verre technique to form intimate glass sculptures that express a love of nature. Kimiake Higuchi demonstrates the making of a cabbage leaf, while her husband, Shin-ichi, produces a mosaic piece. Although they have no formal training
Pâte de verre is a kiln-casting process in which colored powdered glass is packed into a plaster mold, then fired at a high temperature. The result is a rela...
Watch Tim Drier demonstrate for his class, Introduction to Flameworking, in which students will embark on an evolution through glassmaking, beginning with marbles (single cell), through fungus, aquatics, and small land mammals, ending with the human form.
With the assistance of a scholarship awarded to her by the Association of Israel's Decorative Arts (AIDA), Lisbeth Biger an instructor at the Bezalel Academy of Arts and Design in Jerusalem, made the trip to Corning from Israel this summer to study pâte de verre with Shin-ichi and Kimiake
Watch as Davide Salvadore demonstrates for his class, Creating and Using Murrine, how to create complex murrine and cane designs, and how to use techniques such as incalmo and rotations of the axis.
Watch as George Kennard demonstrates for his class, Multiple Gathers, which focused on creating larger-scale work with an emphasis on the mechanics of safely controlling larger amounts of glass, utilizing the bench, working with a torch, moving correctly, and team coordination.
Watch as Giles Bettison demonstrates for his class, Looking at Patterns and Murrine, which explored the relationships among form, pattern, and color using sheet glass to make murrine canes that can then be used to make vessels, panels, and other objects.
Watch as Claire Kelly demonstrates making a blown glass elephant for her class, Raising Cane. Emphasis is placed on proper glassblowing skills such as gathering, blocking, and marvering in order to establish a solid foundation on which to build cane technique.
Toots Zynsky is known for her distinctive filet de verre (glass thread) vessels, which are unique explorations of color and form. Their exceptional designs are achieved through an interweaving of painting and sculpture. In her lecture, Zynsky shares her creative process and sources for inspiration,
Eric Goldschmidt, Properties of Glass Supervisor at The Corning Museum of Glass and artist Wesley Fleming pair up to explore the lampworking techniques of Leopold and Rudolf Blaschka in this lecture and demonstration. Eric and Wes create glass sea creatures, both duplicating some of the Blaschkas’
A technique unique to glass, air twist requires very high quality material for success. When sparkling lead crystal became common in 18th-century England, the air twist technique spread rapidly.
This vessel is made using faux reticello, which produces an appearance similar to traditional reticello without the bubble at the intersection of the canes. See 360˚ photography and learn more about this object in The Techniques of Renaissance Venetian Glassworking by William Gudenrath. The
On this simple tumbler, small aqua rings hang freely from loops. See 360˚ photography and learn more about this object in The Techniques of Renaissance Venetian Glassworking by William Gudenrath. The Venetian glass industry enjoyed a golden age during the Renaissance. By the early 1500s, the
How does chalcedony glass react when it is melted and blown? This video supplies the answer. Learn more about this object in The Techniques of Renaissance Venetian Glassworking by William Gudenrath. The Venetian glass industry enjoyed a golden age during the Renaissance. By the early 1500s, the
This goblet is made using mezza-stampatura, also known as mezza-forma (Italian, “half mold”). With this technique, vertical ribs are made on the lower part of a blown object by inflating the bottom half of the parison into a dip mold. The goblet shown in this video is decorated with gilding and
In this video, a crimp-edge molding tool sandwiches the glass between a solid form on the inside and metal jaws on the outside to create a quatrefoil shape. This technique would be the last step in the making of a quatrefoil goblet. See 360˚ photography and learn more about this object in The
Find a wing for 35 centuries of glass art and history, a floor dedicated to glass science and innovation, an all-new Contemporary Art + Design Wing, and the largest hot glass demonstrations space in the world: there is more to see and do at The Corning Museum of Glass than ever before. With Make
Watch one of the world's fastest machines in action. After Thomas Edison developed a practical and durable light bulb filament in 1879, it took time for this technology to take hold, in part because it required a new product: glass envelopes to surround the filament. When Edison first
This video shows the making of a reticello platter with a folded edge. Learn more about this object in The Techniques of Renaissance Venetian Glassworking by William Gudenrath. The Venetian glass industry enjoyed a golden age during the Renaissance. By the early 1500s, the wonders of Venetian glass
Nisha Bansil’s work is an exploration of pattern, form, and structure. Living in the woods, she is inspired by observations made in her environment, such as light and shadow in the trees and plants, decay and growth in the life cycles on the forest floor, and the progress of time in the geology of
Israeli designer Ayala Serfaty talks about her sculpture "Soma 2015," on view now at the Museum. https://www.cmog.org/artwork/soma-2015 Serfaty’s Soma series is both functional lighting and conceptual sculpture, inspired by landscape formations. Serfaty worked for six years to develop the
Watch as Suellen Fowler demonstrates for her class, Flamework Glass Sculpting: Solid and Blown Forms, cane decoration and patterns, the use of commercial and hand-mixed color, and techniques for realizing a successful interpretation of natural and fantasy subjects.
Watch Suellen Fowler demonstrate for her class, Flamework Glass Sculpting: Solid and Blown Forms, a variety of techniques for creating sculptures in colored borosilicate glass. During the class, Fowler demonstrated cane decoration and patterns, the use of commercial and hand mixed color, and
Watch John Kobuki demonstrate for his Studio course, Flower Marbles, the compression technique used to make flowers and and other deeply encased designs in borosilicate glass. John Kobuki has been working with glass since 1995. He is known for making marbles with the compression technique. Kobuki
Explore the Crystal City of Corning, N.Y., during the Glass Art Society Conference, June 9 through 11, 2016. See 35 centuries of glass and discover the new Contemporary Art + Design Wing of The Corning Museum of Glass. Shop and dine in the historic downtown Gaffer District and savor the flavors of
The campus of The Corning Museum of Glass is a collection of modern glass architecture, influenced by three generations of architects, each with the goal of creating a fluid space and incorporating glass wherever possible. This video features Laurie Hawkinson, architect.
A groundbreaking exhibition produced by the J. Paul Getty Museum and The Corning Museum of Glass, Reflecting Antiquity: Modern Glass Inspired by Ancient Rome opened on October 18, 2007 at the Getty Villa in Los Angeles, and ran through January 14, 2008. Then it traveled to The Corning Museum of
See all of the construction of the new Contemporary Art + Design Wing condensed into two minutes and 14 seconds! Also watch highlights from the construction including the lift of the steel wall that became the 150-foot porch, and pouring the concrete floor that became the 26,000 square foot
From their first commission for glass marine invertebrate models in 1863, to their later production of glass flowers for Harvard University’s well-known Ware Collection of Blaschka Glass Models of Plants, Leopold Blaschka (1822 – 1895) and his son Rudolf (1857 – 1939) masterfully captured in glass